Tag Archives: Tanya Thiessen

Tanya Thiessen on the New Adult Genre

Surrey Libraries’ Tanya Thiessen gives audience members an education on the new “New Adult” genre at our 2013 RA in a Half Day workshop at Vancouver Public Library:

“New Adult” Romance Resources

Description & History of Genre:

  • So what is “New Adult”? Developed by St. Martin’s Press in 2009, “New Adult” (NA) is essentially a marketing term for the post YA reader, a hot subgenre of the larger Romance category. Some say this genre signals an intermediate step for readers between YA and adult fiction because the protagonists/main characters are in the 18-25 age range tackling issues of “new adulthood”. Often placed in a contemporary college setting, these characters deal with issues of identity – exploring their sexuality, often experiencing peripheral issues stemming from family/childhood abuse, substance abuse, suicide, sexual assault. And these titles are usually heavy on romance, sometimes bordering on erotica – many e-titles come with explicit sex warnings, so how much they are actually an intermediate step post-YA literature is somewhat debatable.
  • Storylines are compelling, as the authors work to translate the intensity and passion of new adulthood into their stories. Often these novels will follow a formulaic theme of “Good Girl” meets “Bad Boy” with anger management issues. Many titles told from both the male and female POV, which is one of the reasons why the genre is so popular, as readers are hungry for the male voice (for example, Walking Disaster is the sequel, male “answer” story to Beautiful Disaster, and Charade alternates chapters told by the male and female main characters).
  • Another reason why these titles are so poplar is because of accessibility – most titles are available in e-format, if not exclusively as an e-title. There’s a lot of “word of mouth” advertising for these titles – New Adult book groups and NA booklists on Goodreads, blogs (Maryse’s Book Blog is often cited for reviews), websites, etc. Replacing the old Harlequins, titles are cheap, or free (you can find a lot of free books in the New Adult or Adult Contemporary Romance in iBooks) and read your guilty pleasure in private on your phone/ereader/tablet. In fact, the development of the genre has come from titles that were originally self-published online, for example, Colleen Hoover’s NA novel, Slammed, was originally self-published on Amazon. Slammed was on the NY bestseller list and the author was still getting rejection letters from print publishers. Readers are driving demand – Cora Carmarck wrote her first novel, Losing It, about a college girl desperate to lose her virginity, in 3 weeks. Carmarck’s goal was to make $1000 – at a price point of $3.99, she ended up making about $200,000, and landed a six-figure deal with HarperCollins.
  • From a publishing perspective, the New Adult genre developed from a desire to continue a relationship with all those voracious YA readers who got interested in the YA genre by reading The Hunger Games and Twilight – just like E.L. James’s inspiration for Fifty Shades… was Twilight. (Ah, yes, Twilight – like a gateway drug!) Readers seem to crave this new genre, and it’s creating a new source of revenue in an industry that is looking for an injection. A Publisher’s Weekly article talks about how the avid YA readership is getting older, and there is a hole in the larger Romance genre that NA fills with its more mature themes. Publishers are keen to keep this group of readers happy, and I think that these themes of identity, not to mention the heavy romance, attracts older female readers…after all, who doesn’t want a little romantic escape in their life?
  • Just as with Romance generally, there are lots of New Adult titles that offer the paranormal aspect. Jamie McGuire of Beautiful Disaster/Walking Disaster fame is working currently on a NA zombie/post-apocalyptic novel. There is so much potential in this category that some YA authors are dabbling with the NA genre – Meg Cabot’s new book features a young college woman and more sexually explicit themes.
  • Abbi Glines’s The Vincent Boys & The Vincent Brothers books were self-published in YA, but she recently released uncut versions of these titles that are labelled appropriate only for ages 17 and up. And a NY Times article on the NA boom notes that publishers are looking seriously at the idea of titles coming in 2 versions in the future so that they can be marketed to both YA and Adult audiences – the double dip, so to speak, to include older readers as the majority of book buyers are over 18.

Considerations for Libraries

  • Content and classification. How do we catalogue 2 versions of the same title? How will this impact readers? Sometimes it is unclear whether the title is YA or Adult Romance – the New Adult subgenre essentially covers everything from John Green’s The Fault in Our Stars to the Fifty Shades… trilogy and a lot in between.
  • It’s unclear at this point if the “New Adult” tag will mean anything to readers – online, readers seem to see it more as a sub-genre of Adult Romance than YA. I don’t think we’re going to need to create another pull-out genre of our larger fiction collection at this point, but given the popularity of these titles, you will want to be aware of this sub-genre for those coming in for readalikes.
  • While sex and coming of age themes are not new in YA, the more explicit sex in NA makes it important for us to make sure we can discern readers looking for fast-paced stories in the New Adult age range and those looking for more descriptive/explicit content (erotica).
  • Looking to purchase New Adult titles for your library? The “Romance/Erotica” sub-section of “Fiction” in Publisher’s Weekly lists New Adult titles.
  • Note that many titles are part of a series, often a trilogy.
  • Many titles are self-published, in e-format exclusively, so can be hard to purchase. Although as the genre grows, these will likely be available in print depending on e-sales.

Helpful Resources:

Charles, John. “Core Collection: Adult Romances for New Adults.Booklist, 15 Sept 2013, pg. 46.

Driscoll, Molly. “Is a ‘new adult’ genre the step between YA and adult books?The Christian Science Monitor, 3 Jan 2013.

Hunter, Sarah. “Core Collection: YA Romances for New Adults.Booklist, 15, Sept 2013, pg. 76.

Kaufman, Leslie. “Beyond Wizards and Vampires, to Sex.The New York Times, 21 Dec 2012.

Rosen, Judith. “New Adult: Needless Marketing-Speak Or Valued Subgenre?Publisher’s Weekly, 14 Dec. 2012.

Wetta, Molly. “What is New Adult Fiction, Anyway?Novelist, Aug 2013.

Thrilling Speed-Dating Across the Genres

There was a whole new crop of genres to speed-date at this year’s RA in a Half Day. These excellent 10 minute overviews offered so much food for thought, we had to include a coffee break mid-way to give everyone time to digest it. But at least everyone was all topped off with ideas and ready to go for the Challenging RA Questions that followed.

These brief summaries will give you a taste of the speed-dating presentations, but there will be more complete reviews to follow. You can also contact us for a full copy of any of the genre presentations.

Noir – Marcus Mendes, Vancouver Public Library

Very first comment from Marcus Mendes on Noir fiction – Noir does not take place in polite society. Through a series of evocative quotes from great representations of Noir fiction, Marcus pulled out the key features of the genre from the swirling cigarette smoke and booze soaked stories to the charter types of the Femme Fatale and the Chump . The basic premise, though, is that things are going to go down hill, seriously and fast.

Chick Lit – Heidi Schiller, North Vancouver City Library

Heidi Shiller reacted to the previous presentation by immediately describing Chick Lit as the “arch opposite of Noir.” At its essence, this literature is addressing issues of modern womanhood in an often humorous and lighthearted. These books have an urban and modern focus (not to mention shopping!), but they also often include romance sub-plots while not being simply a romance genre because the protagonist’s relationship to friends and family are central to the story. However, there is some conversation over whether or not Chick Lit as either a genre or just a label for these titles is dying out.

New Adult – Tanya Thiessen, Surrey Libraries

Right away Tanya Thiessen addressed the fact that with New Adult RA, we have to be comfortable talking about sex. New Adult is a marketing term for (at this time) mostly eBook and online, self-published fiction with 18-25 year old protagonists often in college settings facing issues of identity development and exploring sexuality while still dealing with the fallout of difficult childhood experiences. All of this is wrapped up in a fast paced, emotionally intense story with a focus on a love (and sex) relationship. There are availability issues with these titles in libraries (being mostly eBooks and online titles) but many are available free or very cheap.

Self-Help – Jenny Fry, Surrey Libraries

A clear message from Jenny Fry’s presentation on Self-Help is that you can’t look in one place in your stacks to find it. From the 150s to the 650s, there’s Self-Help across the shelves so find out where the many varieties are at and what they focus on. Three key aspect of self help to remember in providing RA are the kind of tailored guidance, accuracy and included forms and features included. Jenny wrapped up her presentation on Self-Help with the perfect statement of Self-Help – “Life is your biggest DIY project.”

Graphic Novels for Adults – Matthew Murray, UBC – iSchool at SLAIS

According to Matthew Murray, you could just define Graphic Novels as comic book with spines (good audience chuckle on this one). However, you also have to remember that Graphic Novels are a medium, not a genre, so it includes materials in all genre areas. For Readers’ Advisory, its good to be aware of the publishers, because they tend to have a particular style, tone and quality that readers gravitate towards. In addition, ComiXology, while not available to libraries, does provide access to free digital editions of many popular titles.

Horror – Naomi Eisenstat, Surrey Libraries/New Westminster Public Library

The heart of the Horror genre, according to Naomi Eisenstat is emotional, the fright of the reader. While it can have many styles, even humorous, the menacing tone is consistent. Horror often includes elements of thrillers and mystery but there are often unresolved endings. Consider what kind of horror the patron is looking for, either in the storyteller or more violent style.