Tag Archives: BCLA

Announcing the 2nd Annual Library Bound Student RA Award

Library Bound and the BCLA Readers’ Advisory Interest Group are pleased to announce our second annual … Library Bound Student RA Award!

Are you a BC resident currently enrolled in an MLIS or Library Technician program? Are you interested in Readers’ Advisory services? You can apply for funding for this year’s BCLA Annual Conference!

Deadline: Monday, February 29, 2016 by 5 pm.

Award: Full 2016 BCLA Conference registration plus one night’s accommodation.

How to Apply:

Email the following to Meghan Savage at msavage@surrey.ca.

  • Tell us your name, your school, and contact info
  • Describe why you are interested in Readers’ Advisory in 500 words or less
  • Confirm that you are a member of BCLA. (Not a member yet? It’s free for students! Sign up at the BCLA website.)
  • Apply by 5:00 pm on February 29, 2016

The Fine Print:

Only current BC residents intending to work in BC after graduation are eligible to apply. Applicants must be registered in either a Masters of Library and Information Science/Masters of Information Science (or equivalent) program or a Library Technician program and be a student at the time of the February 29, 2016 deadline. The institution can be located in BC or elsewhere (via online study). Members of the BCLA Readers’ Advisory Interest Group will screen applicants and choose the winner. Applicants must be current BCLA members. Award covers full BCLA Conference registration plus one night’s accommodation (to be arranged through BCLA). No other expenses (travel costs, meals, etc.) will be provided. Successful applicant will be expected to write a brief 500-word or less report about the experience of attending the BCLA Conference.

 

Introducing the Library Bound Student RA Award!

Confetti

Library Bound and the BCLA Readers’ Advisory Interest Group are pleased to announce The Library Bound Student Readers’ Advisory Award!

Are you a BC resident currently enrolled in an MLIS or Library Technician program? Are you interested in Readers’ Advisory services? You can apply for funding for this year’s BCLA Annual Conference!

Deadline: Monday, March 16, 2015 by 5 pm.

Award: Full 2015 BCLA Conference registration plus one night’s accommodation.

How to Apply: Email the following to Heidi Schiller at hschiller@cnv.org:

  • Tell us your name, your school, and contact info
  • Describe why you are interested in Readers’ Advisory in 500 words or less
  • Confirm that you are a member of BCLA. (Not a member yet? It’s free for students! Sign up at the BCLA website.)

The Fine Print: Only current BC residents intending to work in BC after graduation are eligible to apply. Applicants must be registered in either a Masters of Library and Information Science/Masters of Information Science (or equivalent) program or a Library Technician program and be a student at the time of the March 16, 2015 deadline. The institution can be located in BC or elsewhere (via online study). Members of the BCLA Readers’ Advisory Interest Group will screen applicants and choose the winner. Applicants must be current BCLA members. Award covers full BCLA Conference registration plus one night’s accommodation (to be arranged through BCLA). No other expenses (travel costs, meals, etc.) will be provided.

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Tanya Thiessen on the New Adult Genre

Surrey Libraries’ Tanya Thiessen gives audience members an education on the new “New Adult” genre at our 2013 RA in a Half Day workshop at Vancouver Public Library:

“New Adult” Romance Resources

Description & History of Genre:

  • So what is “New Adult”? Developed by St. Martin’s Press in 2009, “New Adult” (NA) is essentially a marketing term for the post YA reader, a hot subgenre of the larger Romance category. Some say this genre signals an intermediate step for readers between YA and adult fiction because the protagonists/main characters are in the 18-25 age range tackling issues of “new adulthood”. Often placed in a contemporary college setting, these characters deal with issues of identity – exploring their sexuality, often experiencing peripheral issues stemming from family/childhood abuse, substance abuse, suicide, sexual assault. And these titles are usually heavy on romance, sometimes bordering on erotica – many e-titles come with explicit sex warnings, so how much they are actually an intermediate step post-YA literature is somewhat debatable.
  • Storylines are compelling, as the authors work to translate the intensity and passion of new adulthood into their stories. Often these novels will follow a formulaic theme of “Good Girl” meets “Bad Boy” with anger management issues. Many titles told from both the male and female POV, which is one of the reasons why the genre is so popular, as readers are hungry for the male voice (for example, Walking Disaster is the sequel, male “answer” story to Beautiful Disaster, and Charade alternates chapters told by the male and female main characters).
  • Another reason why these titles are so poplar is because of accessibility – most titles are available in e-format, if not exclusively as an e-title. There’s a lot of “word of mouth” advertising for these titles – New Adult book groups and NA booklists on Goodreads, blogs (Maryse’s Book Blog is often cited for reviews), websites, etc. Replacing the old Harlequins, titles are cheap, or free (you can find a lot of free books in the New Adult or Adult Contemporary Romance in iBooks) and read your guilty pleasure in private on your phone/ereader/tablet. In fact, the development of the genre has come from titles that were originally self-published online, for example, Colleen Hoover’s NA novel, Slammed, was originally self-published on Amazon. Slammed was on the NY bestseller list and the author was still getting rejection letters from print publishers. Readers are driving demand – Cora Carmarck wrote her first novel, Losing It, about a college girl desperate to lose her virginity, in 3 weeks. Carmarck’s goal was to make $1000 – at a price point of $3.99, she ended up making about $200,000, and landed a six-figure deal with HarperCollins.
  • From a publishing perspective, the New Adult genre developed from a desire to continue a relationship with all those voracious YA readers who got interested in the YA genre by reading The Hunger Games and Twilight – just like E.L. James’s inspiration for Fifty Shades… was Twilight. (Ah, yes, Twilight – like a gateway drug!) Readers seem to crave this new genre, and it’s creating a new source of revenue in an industry that is looking for an injection. A Publisher’s Weekly article talks about how the avid YA readership is getting older, and there is a hole in the larger Romance genre that NA fills with its more mature themes. Publishers are keen to keep this group of readers happy, and I think that these themes of identity, not to mention the heavy romance, attracts older female readers…after all, who doesn’t want a little romantic escape in their life?
  • Just as with Romance generally, there are lots of New Adult titles that offer the paranormal aspect. Jamie McGuire of Beautiful Disaster/Walking Disaster fame is working currently on a NA zombie/post-apocalyptic novel. There is so much potential in this category that some YA authors are dabbling with the NA genre – Meg Cabot’s new book features a young college woman and more sexually explicit themes.
  • Abbi Glines’s The Vincent Boys & The Vincent Brothers books were self-published in YA, but she recently released uncut versions of these titles that are labelled appropriate only for ages 17 and up. And a NY Times article on the NA boom notes that publishers are looking seriously at the idea of titles coming in 2 versions in the future so that they can be marketed to both YA and Adult audiences – the double dip, so to speak, to include older readers as the majority of book buyers are over 18.

Considerations for Libraries

  • Content and classification. How do we catalogue 2 versions of the same title? How will this impact readers? Sometimes it is unclear whether the title is YA or Adult Romance – the New Adult subgenre essentially covers everything from John Green’s The Fault in Our Stars to the Fifty Shades… trilogy and a lot in between.
  • It’s unclear at this point if the “New Adult” tag will mean anything to readers – online, readers seem to see it more as a sub-genre of Adult Romance than YA. I don’t think we’re going to need to create another pull-out genre of our larger fiction collection at this point, but given the popularity of these titles, you will want to be aware of this sub-genre for those coming in for readalikes.
  • While sex and coming of age themes are not new in YA, the more explicit sex in NA makes it important for us to make sure we can discern readers looking for fast-paced stories in the New Adult age range and those looking for more descriptive/explicit content (erotica).
  • Looking to purchase New Adult titles for your library? The “Romance/Erotica” sub-section of “Fiction” in Publisher’s Weekly lists New Adult titles.
  • Note that many titles are part of a series, often a trilogy.
  • Many titles are self-published, in e-format exclusively, so can be hard to purchase. Although as the genre grows, these will likely be available in print depending on e-sales.

Helpful Resources:

Charles, John. “Core Collection: Adult Romances for New Adults.Booklist, 15 Sept 2013, pg. 46.

Driscoll, Molly. “Is a ‘new adult’ genre the step between YA and adult books?The Christian Science Monitor, 3 Jan 2013.

Hunter, Sarah. “Core Collection: YA Romances for New Adults.Booklist, 15, Sept 2013, pg. 76.

Kaufman, Leslie. “Beyond Wizards and Vampires, to Sex.The New York Times, 21 Dec 2012.

Rosen, Judith. “New Adult: Needless Marketing-Speak Or Valued Subgenre?Publisher’s Weekly, 14 Dec. 2012.

Wetta, Molly. “What is New Adult Fiction, Anyway?Novelist, Aug 2013.